The Masked Persona or Facebook Self

In this episode I explore the role of the inner “persona” or mask in our relationship to the world.
The word persona comes from Latin and is the term Romans used for the Greek theatrical mask (prosopon) which allowed actors to play more than one role. Because there were no big screens or optics to improve the audience’s view, the masks were larger than the actors’ heads and set in expressions that portrayed the nature of each character.
We all have a public Facebook self-mask that we have curated for the world.
Sometimes our professions seduce us into stereotypical ways of being in those roles.
The mental-healthy trick is not to become over identified with the masks of our professional or social roles, but to be as authentic when facing the public as when facing ourselves.

You can schedule one on one Skype or Zoom sessions with Peter by emailing peterwoods.pe@gmail.com

How to Profit from Loss

To be human is to experience loss. In the Buddhist, Five Subjects for Recollection is the phrase, “all that is mine, beloved and pleasing, will become otherwise. Will be taken from me.

Peter reflects on how we process loss. The destructive as well as more constructive responses.

In the talk Peter references the work of Dr Gabor Mate a helpful resource on addiction.

Please search for him on YouTube.

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You can schedule one on one Skype or Zoom sessions with Peter by emailing peterwoods.pe@gmail.com

I know you’re a follower, but are you being followed?

We are all busy following something or someone. Diets, exercise programs, studies, teachings, religions.
But what if we lose the will to follow? What if we just cannot go on?
Peter suggests a good test of what we are following, is to ask if they will follow us when we get lost.

You can schedule one on one Skype or Zoom sessions with Peter by emailing peterwoods.pe@gmail.com

The power of the feminine to save. Even from Hell

We all enjoy a love story.

This one from medieval Italy is similar to a million others but is special because it happened to a great poet who recorded it in the most beautiful language. Dante Alighieri (1265-1321) is famous for writing the “Divine Comedy” which shaped Christianity’s ideas of heaven and hell forever.

He describes how he began to write the epic poem while he was walking along in the afternoon of his life and fell into a deep hole. There is no better description of the midlife crisis than going along with your life when suddenly you fall into a hole. These crises are usually about our unfinished business or unlived life. For Dante it was his incomplete relationship with Beatrice whom he had met when he was only nine. Years later as an adult Dante was standing near the Ponte Vecchio, a bridge that crosses the Arno River in Florence when he saw Beatrice as an adult and fell deeply in love. Dante did not speak to her that day. In fact he saw her very little, and then Beatrice suddenly died, carried off by plague.

Dante was stricken with the loss of his vision. She was the intermediary between his soul and Heaven itself. Dante went on to marry, and he and Signora Alighieri raised three children. Then, suddenly, at the midpoint of his life, he fell into a deep depression. Here his work began.

In the Divine Comedy, Dante is led down through the nine levels of hell by the poet Virgil, symbol of reason and intellect. Dante discovers surprisingly that the lowest level of hell isn’t fire, it is frozen. That arctic wasteland the intellect will bring us to. So he leaves Virgil behind and is led out of hell by none other than his beloved Beatrice. The message is clear. The soul, not the intellect leads out of hell to heaven. The moist, soft feminine soul, not sterile male logic is the way to salvation. Love not reason saves Dante, and us all.

dante out of hell.jpg

Six hundred and fifty years later, during World War II, the Americans were chasing the German army up the Italian “boot.” The Germans were blowing up everything to thwart the progression of the American army, including the bridges across the Arno River. But no one wanted to blow up the Ponte Vecchio because Beatrice had stood on it and Dante had written about her.
So the German army made radio contact with the Americans and, in plain language, said they would leave the Ponte Vecchio intact if the Americans would promise not to use it.

The promise was held. The bridge was not blown up, and not one American solider or piece of equipment went across it. Crazy, isn’t it? Completely illogical. But life isn’t a rational story, it is a love story. Hardened warrior men were turned by creative feminine emotion. In a modern, ruthless war, the bridge was spared, because beautiful Beatrice had stood upon it.

(Many thanks to Robert A Johnson for the bulk of this from his Inner Gold)